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The question - Who Is Jill Scott? - has been posed. Take
your time: The significance of the answer is considerable.
After all,
what do you make of a Philadelphia-born woman whose mother, upon
placing first eyes on her daughter, envisioned an exclamation point
behind her chosen name, thus: Jill! What do you make of a woman
who years ago recognized and named her altar ego Ami, without knowing
it was I Am spelled backwards? A decisive woman who respects talent
but favors soul. What we do know of Jill Scott is that she carries
her spine straight; confidence, high; spirit, risen and pure. Simply,
Jill Scott‹not to be confused with Gil Scott (Heron)-is lifted.
Ah, but this
answers more what than Who Is Jill Scott? It
is an honestly erotic and animatedly sweet album, enigmatic unto
the question itself. Speaking in the tongues of both poetry and
song, Jill Scott's timbre is refreshingly controlled yet exploring,
restless and free! Her articulation is clear and patient, toying
with space and time. Featuring production talents DJ Jazzy Jeff,
James Poyser and A Touch of Jazz Productions, as well as the writing
of hers truly, Who Is Jill Scott? seeks to
establish a multifaceted artist with real, feeling stories to tell‹not
just words on paper. Jill clarifies: "These words have soul, conviction
and woman behind them."
Because she
can, Jill is releasing two singles: blessing the streets with "Love
Rain," featuring standout rapper Mos Def; while radio receives the
real Philadelphia soul single "Gettin' In The Way." Jill describes
the latter as a mature woman's point of view when it comes to telling
another woman to let her man go. "You know, like, look, please
don't make me cut you," Jill pleads low. "I am praying
here."
There is a
subtle beauty to Who Is Jill Scott? -Especially when she
acts out her stories. "A Long Walk" tells how Jill and her fiancee
Lyzel fell in love. It's a slow, effortless swing, and one of Jill's
most range-revealing tracks. But it's on the interlude, "I Think
It's Better," that Jill deals with the difficult, trying to tell
a seasonal lover that she's found her lifetime lover: "It's so
hard for me to say this/I'm strugglin' to find the right words/ŠWhat
I fell is past tense/What I felt, you just haven't heard..."
Though comparisons
ranging from Betty Carter to Erykah Badu are inevitable-and flattering-they
may at times result from lazy listening. "Comparisons? I laugh at
them," Jill Scott says, and does-a light, free laugh. "A really
important part of my work is that everybody have their own power.
We don't follow like sheep. Every child has their own." (Ami rising.)
Jill Scott
was raised and lives in north Philadelphia, the big city that feels
like a town. She remembers her grandmother "taking a bath at five
o'clock every morning, and you would hear this real back-porch humŠ"
From some deep, throaty place, Jill recollects: "Mmmm-hmmm. HmmMMM"-the
sound of cross-armed deacons and Mahalia Jackson. "We would gather
at the door and listen," Jill continues. "My mother would cry."
While Jazzy
Jeff and Fresh Prince rocked Central High School parties and The
Roots were street performers, Jill was reading poetry at a local
art spot, October Gallery. The crowds were growing and Jill was
starting to hear things. "Sounds," she says. "Sounds in the words.
Eventually some parts would be spoken, some sung."
Roots drummer
Amir caught Jill's performance and told producer Scott Storch. The
band invited Jill into the studio one night; she came and wrote
in five minutes what would be the lyrics to "You Got Me." Amir called
Jill the next day to say the song would be The Roots' first single.
Sung by Erykah Badu, the track went on to garner The Roots a 1999
Grammy award for Best Rap Performance (Duo or Group).
Since then,
Jill Scott has toured with the Canadian cast of Rent. She's collaborated
with The Roots, Eric Benet (on a remix of his song "When You Think
Of Me"), Will Smith ("The Rain" from Willennium) and Common (on
his album Like Water for Chocolate and the single "8 Minutes to
Sunrise" from the Wild, Wild West soundtrack). In conjunction with
Eastman Kodak, Jill sent junior high school students nationwide
out on a simple, profound mission: Take pictures of what it is to
try. (The students were inspired by the lyrics of her song with
the same title).
As for the
answer to the question, Who Is Jill Scott?,
well, ask Jill. "I don't know how to call it. I can't really put
me in any parameters," she says. "I didn't want to be in anybody's
box. My hair's not permed, I'm not skinny, I ain't got a big assŠ'What
we gone do with her?'"
"Well," she
says with bright, discerning eyes, "we can do this, this, this,
this, this, this and this. How you like that?"
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